Abstract
The rapid development in Qatar in all aspects of life has caused a time gap between the infrastructures put in place and the readiness to adopt into them. Through this case study we attempt to give examples of this gap by using art in public spaces as a reflection of Qatar society from urban, social, and economic perspectives. As well as examples on how art in public spaces is bridging the gap. The study shows that the new urbanism strategy of Qatar has changed the way public art is planned from catering to an automotive experience to a pedestrian friendly experience, thus shifting points of interest away from main roads. The study also shows evidence through public art of a societal clash of identities between the traditional local and the international global. Although the urban development in Qatar has allowed industries such as metal working to flourish, these industries were setup for mega projects and rarely do they cater to specialized jobs such as art foundries. In conclusion, art initiatives create real market demand for specialized jobs which in turn helps in creating a diversified economy. The most popular artworks in public spaces no longer exist on roundabouts, that being an indicator of the societal adaptation of a healthier lifestyle by way of urban design. Controversial public art allows for civil dialog between generations where they exchange their ideals of identity. This dialog over art is one of the few platforms where this divide is addressed. In conclusion, the study alludes to anecdotal evidence that art in public is both an indicator and a tool of development.
